Born

Beirut, Lebanon


Education

Barnard College, Columbia University, New York, NY


Selected Solo Exhibitions/Performances

2018

If you only knew, Galerie Tanja Wagner, Berlin

Chou Hayda, The National Museum of Beirut, Beirut

life itself, Conduit Gallery, Dallas, TX

2016

I don’t care about your body, Galerie Tanja Wagner, Berlin

2015

a million times, Albertz Benda, New York, NY

2014

your secret is safe with me, Galerie Tanja Wagner, Berlin

fortune/Meanwhile…History, Global Art Forum, Dubai

measure, Conduit Gallery, Dallas, TX

2013

Fortune, PS1 MoMA, New York, NY

2012

you say i want a revolution, Josée Bienvenu Gallery, New York, NY

come back to the war, Galerie Tanja Wagner, Berlin

2010

repaired landscapes, Conduit Gallery, Dallas, TX

2009

knot, David Winton Bell Art Gallery, Brown University, Providence, RI

2007

Sex & Politics, Conduit Gallery, Dallas, TX

a book of hours, Gallery Joe, Philadelphia, PA

2006

AMERICA, Josée Bienvenu Gallery, New York, NY


Selected Group Exhibitions

2019

The Naked Truth. A European history, Rijksmuseum Twenthe, Enschede

The Living Room UIT (Use It Together), ISCP, Brooklyn, NY

2018

Privacy in Public, Metropolitan New York Library Council, New York

Artists and Allies, Signs and Symbols, New York

2017

Fünfter Akt, Trabanten, Düsseldorf

Walk the Distance and Slow Down, Boulder Museum of Contemporary Art, CO

2016

Acts of Sedition, WhiteBox, New York

Stages of Trust, Galerie Zimmermann Kratochwill, Graz

2015

What We Call Love, Irish Museum of Modern Art, Dublin

Territoire d'Affects, Beirut Exhibition Center, Beirut

2014

Art=Text=Art, Private Languages/Public Systems, UB Anderson Gallery, Buffalo, NY

2013

Marking Language, Drawing Room, London
2012

Discussing Metamodernism, Galerie Tanja Wagner, Berlin

Art=Text=Art, Rutgers University, New Brunswick, NJ

2011

Drawn / Taped / Burned: Abstraction on Paper, Katonah Museum of Art, Katonah, NY

2010

Cairo Biennale (representing the US), Cairo

On the Mark, The Baltimore Museum of Art, Baltimore, MD

2009

Close Encounters 2, organized by Provisions Library, Nathan Cummings Foundation, New York, NY

New York New Drawings 1946-2007, Museo de Arte Contemporaneo Esteban Vicente, Segovia

2008

Political/Minimal, KW, Berlin

Democracy in America, Creative Time at The Park Avenue Armory, New York, NY

Indexical Frontiers, Inova, University of Wisconsin-Milwaukee

2006

Drawn Twice, The Tang Museum, Saratoga Springs, NY

2005

The Dreamland Artist’s Club, presented by Creative Time, Coney Island, NY

1994

Quinta Bienal de La Habana (The Fifth Biennial of Havana), Havana


Residencies & Awards

2011

CentralTrak, Dallas, TX

2010

Biennial Award, Cairo Biennale (representing the US)

2008

Brown Foundation Residency, Dora Maar House (MFAH), Ménerbes

2002-07

EFA Studio Center Residency, New York, NY


Public Collections

Yale University Art Gallery, New Haven, CT

Brooklyn Museum, Brooklyn, NY

The Menil Collection, Houston, TX

Baltimore Museum of Art, Baltimore, MD

The Phillips Collection, Washington,DC

The Warehouse, Dallas, TX

The Columbus Museum, Columbus, GA

Museo Nacional de Bellas Artes de La Habana, Havana, Cuba

The Vehbi Koç Foundation, Istanbul, Turkey

Colby Museum of Art, Waterville, ME


Books & Catalogues

2015

Christine Macel, Rachael Thomas (eds.), What We Call Love: From Surrealism to Now, Irish Museum of Modern Art,

Dublin, Ireland (Exhibition Catalogue)

Vesela Sretenović, Intersections@5, Contemporary Art Projects at the Phillips, The Phillips Collection, DC

2014

Katherine Stout (Ed.), Contemporary Drawing: from the 1960s to Now, Tate Publishing

Claire Gilman and Melissa Gronlund, et al, Drawing Papers 108

2010

Ranya Husami, Orienteering, 12th Cairo International Biennale (Exhibition Catalogue)

Michael Corris, et al., Art, Word and Image: 1,000 Years of Textual/Visual Interaction, Reaktion Books

2009

“the gun is cocked,” Gagarin 18, Antwerp, Belgium

New York, New Drawings: 1946-2007, Museo de Arte Contemporaneo Esteban Vicente, Segovia, Spain (Exhibition

Catalogue)

Vesela Sretenovic, et al, KNOT, David Winton Bell Gallery, Brown University, Providence, RI (Exhibition Catalogue)

Donald Russell and Niels Van Tomme, Close Encounters 2, Nathan Cummings Foundation, Provisions Library, New York

Nat Muller et al, Contemporary Art in the Middle East, ARTWORLD, Black dog Publishing, UK

2008

Klaus Biesenbach and Jenny Schlenzka, Political/Minimal, KW Berlin (Exhibition Catalog)

Anne Pasternak, Lucy Lippard et al, Creative Time: The Book, Princeton Architectural Press, New York

Nato Thompson, A Guide to Democracy in America, Creative Time Books

1994

Lourdes Castillo et al, Arte-Sociedad-Reflexion, Havana Biennial Catalogue


Articles & Reviews (selected)

2018

Barbara MacAdam, “Vasari Diary: The Poetic Politics of Stefana McClure and Annabel Daou, and James Ivory Interprets

Vermeer,” ARTnews, (December 20)

Léa Polverini, “Annabel Daou déchire et répare…”, L’Orient Le Jour, (August 29)

Kevin Jones, “Art Publics,” Canvas Magazine, (June)

“Chou Hayda?:Les antiquités du Liban racontées par ses habitants”, Agenda Culturel, (June 22)

Maghie Ghali, “New Mathaf Guide Questions History,” The Daily Star, (May 22)

2016

Rafael Soldi, “Q & A: Annabel Daou,” Strange Fire, (November 24)

2015

Christiane Meixner | Brühwürfel der Energie/Drawing – Concentrated Energy, tipBerlin/zitty, Berlin Art | Kunst

Birgit Sonna | Annabel Daou: Sprache ohne Grenzen, Art Magazin (January)

Gary Pini, “The 13 Must-See Art Shows Opening This Week”, Paper Magazine, (October 7)

Laura van Straaten “X marks the spot” A Magazine, Issue 81, (Dec 8)

Timotheus Vermeulen & Robin van den Akker, “Misunderstandings and clarifications,” Notes on Metamodernism, (June 3)

“Heartland-Territoire d’affects. Une terre d’amour et de désamour,” L’Hebdo Magazine, (November 2015)

2014

Ingeborg Ruthe, “Zwischen Besitzen und Begehren,” Berliner Zeitung, May 8

Thomas W. Kuhn, “Intuition and capacity for flight,” artmagazine, May

Michael Corris “No Free Reading: Annabel Daou at Conduit Gallery,” Glasstire, March 2

2013

Timotheus Vermeulen & Robin van den Akker, “Een verlangen naar oprechtheid – Het nieuwe tijdperk: metamodernisme

(A Desire for Honesty – The New Age: Metamodernism),” De Groene Ansterdammer, (September)

2012

Timotheus Vermeulen, “Which side are you on?” Notes on Metamodernism, (June 19)

Barbara A. MacAdam, ARTnews (May)

Thomas W. Kuhn, Der Tagesspiegel (February 11)

2009

Marie-Adele Moniot, “Close Encounters 2: Acts of Social Imagination, Artlies (Issue 63)

Blake Gopnik, Washington Post (June 7)

Melena Ryzik, New York Times (May 10)

Cate McQuaid, The Boston Globe (April 15)

Karen Schiff, The Brooklyn Rail (May)

Bill Van Siclen, The Providence Journal (Jan 29)

2008

Michelle Grabner, “Critics’ Picks,” Artforum (May)

Kevin Bouchard, Art Lies (Issue 57)

Charissa Terranova, ARTNews (April)

Jesse Hughey, Dallas Observer (Nov 4)

Charissa Terranova, Dallas Morning News (Oct 25)

Koan Jeff Baysa,“Lost in Transliteration,”Ctrl + Pdf, Journal of Contemporary Art (March)

Christopher Russell, artUS (Issue 20)

Holly Myers, Los Angeles Times (July 20)

Roberta Fallon, Philadelphia Weekly (January 17)

Edith Newhall, Philadelphia Inquirer (January 12)

2007

Barbara A. MacAdam, “The New Abstraction,” ARTnews (April)

2006

David Markus, The Brooklyn Rail (May)

Elisabeth Kley, Time Out, New York (April 20)

2005

Edward Sozanski, Philadelphia Inquirer (May 6)

Roberta Fallon, Philadelphia Weekly (April 13)

2004

Charissa Terranova, Dallas Observer (Sept 30)

2002

Charles Dee Mitchell, Dallas Morning News (May 29)

Mike Daniels, Dallas Morning News (May 11)

2001

Shelly Grimes, D Magazine (April)

1997

Richard Reynolds, Flash Art International (Oct)

Sue Hubbard, Time Out, London (Sept 24- Oct 1)

T. Zag, Al Hayat (Arabic daily newspaper) (Sept 17)

N. Abu Hamad, Al Hawadeth (Oct 3-9)

Nour Al-Jarah, Al-Mushahid Assiyasi (Oct-Nov)

Mike Daniels, Dallas Morning News (June 27)

Suzanne Aktar, Fort Worth Star Telegram (June 22)

1996

Susan Platt, Art Papers (July-Aug)

Wade Wilson, Fort Worth Star Telegram  (April 7)

1995

Wade Wilson, Fort Worth Star Telegram (Oct 1)